Having emerged from the underworld of hip hop culture, where so many of the culture’s artistic martyrs rise from. I bring to you the reason label reps and head A&R’S who miss free throws get their ass chewed out.With an array of influences ranging from Deon Sanders and Ceelo Goodie, to Ric Flair and foreign exotic women, Spote offers sound recording and performing arts in such rare form. He definitely extinguishes any notion of him being all party and bullshit and though the case, he intends to refrain from being tagged “another 80’s baby with a product of my environment story”. The mass public wants to hear the thick of grit so with homicide cases, trafficking charges, and parole violations “real spit as he would say” all in his will to overcome, he seems determined to make his understanding understood.

”I never wanted to use my street cred as a crutch for lack of talent. I don’t like to hear artist attempt to blend the lines of true school hip hop with real street shit. They coexist for a reason. I listen to a lot of records and hear a lot of dry snitching. Too much info; niggas act like the police don’t listen to this shit. Forgetful of the ones who still in the streets trying to get it. It’s just certain shit that’s supposed to be left unsaid.” With his mixtape “Welcome to the Spotecenter” geared to be released late May early June ‘09, “ U Somethin Else” as the leading single, club promoters with their region sewed up, dj’s looking to go on the road with money on their mind, and label big wigs begin your bidding!!! Having begun his chase for greatness with the millennium looking us all in the face, Spote now 26, has not only managed to amass a pretty large sub regional following without a machine to budget his movement.

He has also remained unphased by the rinky dink trends that would inevitably die, whether an innovative attempt to recycle or an insulting shot at originality. A Ralph Lauren fanatic, who likes Nickleback, dope on the ball court, and ridiculous on the mic…He’s a bit arrogant. It even seems authentic, not that fake rapper slash street swag you see on the YouTube!!! I even got a chance to steal a glimpse of the mixtape; “Time”, where he trades mistakes for triumph, all in his chase for cash, is of course timeless. Talk about audacity, this nigga shreds the mighty Outkast Aquemeni track and “A Nice Juug” most definitely has the club on tilt. As Exec Ent’s MF in charge, his focus is to spread his imprint, influence, and ink in history to and throughout international air waves. So, Program Directors, Artist and Repertoire, Show Promoters, Producers, Engineers, D.js, Video Directors, Independent Ringtone Single Distributors, Publishers/Sub publishers (Foreign and Domestic), Vocalists, Songwriters, Artists, Managers, Booking Agents, Event Planners, Internet Radio Show Hosts, Magazine Columnists and Editors, Senior execs and Assistants, Photographers, Media Promotion and Production Companies, Entertainment Associates and Endorsers etc… Let’s Do Business.

“ITS A DROUGHT OF REAL G’S IN THE GAME SO IT SEEMS”
OBVIOUSLY T.I. ISN’T THE ONLY ONE WHO FEELS THIS WAY ABOUT THE CURRENT FABRIC OF MUSIC BEING GENERATED BY THE MACHINE…
NO SPOTESMANSHIP HD…MISTA SPOTE’S LATEST PROJECT
HAS STRIPPERS, STREET NIGGAS, AND THE LIKE ON THE EDGE OF THEIR SEAT AND ON THEIR FEET THE MOMENT THE BEAT TO SINCE DA 90′S (PRODUCED BY TRAPADEMICS) DROPS….A CLOSER LOOK@HEAVY GRINDIN: TAKE NOTE:
“NIGHT IN AND NIGHT OUT IM OUT HERE & NIGGAS FUCK WIT ME CAUSE OF HOW TRILL I KEEP IT..ON AND OFF STAGE.ON AND OFF DA MIC.ON AND OFF CAMERA” “ALL THESE LIL NIGGAS SOUND LIKE KILO” LAUGHS SPOTE AS HE EXPLAINS ATL’S CURRENT COMMERCIAL RAP SCENE.”IM SO ANTI SKINNY JEAN-MAN PURSE ETC”
COLLECTIVELY YOU GET STREET SHIT-HIGH FASHION SENSE/TASTE-MORAL CONVICTION-AND GOOD MUSIC IN ONE SESSION..WITH A COLLECTIVE OF MUSIC, SPOTE HAS MANAGED TO BRAND HIMSELF, PERFORMING AT EVERY OPEN MIC AND SHOWCASE IN/AROUND ATLANTA CONSISTENTLY SINCE THE EARLY ‘08 OF HIS MIXTAPE “AND THE SOUTH STRIKES AGAIN”
DESPITE COMING AND GOING OF ALL THE RINKY DINK TRENDS SPOTE CONTENDS THAT ATLANTA WILL NEVER LET GO OF THE VICE GRIP IT HAS ON HIP HOP STREET HOP AND THE ENTIRE CULTURE….

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